Also discussed are the ways in which Native voices have co-opted European cultural forms, discourses and themes to disrupt racial and cultural stereotypes.ĭe Assis-Wilson, Ivette M.
Causey believes that the universality of Wood’s themes of environmentalism, domestic abuse, and cultural estrangement make her universally accessible. Tara Causey argues in her introduction that Native peoples are almost incontrovertibly the first poets, citing the oral tradition and its connection to “cultural memory and survivance.” She uses the poetry of Karenne Wood to illustrate the unbroken line of Native American poetical tradition. “Stories of Survivance: The Poetry of Karenne Wood.” South Atlantic Review, vol.
Query: Is poetry a form of feminist rhetoric in postcolonial Americas?Ĭausey, Tara D. History of Feminist Rhetorics – Addressing issues of First Wave feminism that, for some, are still yet to be resolved, this category speaks to the roots of the feminist struggle in different populations. The categories are as follows:Ĭontemporary Poetry as Rhetoric – These articles speak of contemporary poets and how they address issues that face women and minorities in this century.Įxamples of Poetry as Rhetoric – Articles in this category address the poetry itself and how it is used to create community, educate, or act as an agent of change.Įxamples of Postcolonial Rhetorics – As examples of postcolonial rhetoric, these articles explain and exemplify the issues surrounding postcolonial rhetoric. I endeavored to sort each into the category that most applied to its content. Many of the articles belong in multiple categories. The categories into which this bibliography is divided overlap a great deal. My question, “ Is poetry a form of feminist rhetoric in postcolonial Americas?” examines in broad scope the power of poetry as a tool to communicate ideas and information about women and the issues that confront women.
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The appeals of pathos and logos overwhelm what was perceived as a dearth of ethos based solely on gender or color of skin or country of origin. Our voices have been so easily discounted throughout history as weak, emotional, or ignorant. It has proven an especially effective form of rhetoric for women and minorities. Its very reputation as a refuge of fops and women, while completely spurious, has provided cover for the very loud political speech of such people as Madge Piercy, María Rentería, Pablo Neruda, and Federico García Lorca. From the time of Sappho to modern day, it has been a faithful companion of more formal rhetoric, and is often the only voice allowed to oppressed peoples. Poetry is an undervalued form of rhetoric. Is poetry a form of feminist rhetoric in postcolonial Americas? It also shows critical thinking skills in gathering, synthesizing evaluating data around my research question. As an annotated bibliography, it demonstrates a convention of the discipline. It was the first extended bibliography I’d created. This project from April 2019 is an annotated bibliography addressing the possibilities of poetry as postcolonial rhetoric, particularly in service of indigenous women and women of color. Rhetorical Traditions Annotated Bibliography Classes include Rhetorical Traditions, Public Rhetorics, and The Expository Essay. The section rhetoric includes selections from the Rhetoric classes that I took as an English major at the University of South Florida.
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